porto – port wine and narrow houses

all images shown here were taken analog with my canon ae I

porto, the second-largest city in portugal, is located on the northwest coast of the country and is known for its historic old town as well as its significance in port wine production. the old town, ribeira, was declared a unesco world heritage site in 1996 and is characterized by narrow streets, colorful and narrow houses, and important architectural landmarks. the city has played a central role in the history of port wine, which has been produced here since the 17th century. the wine cellars are mainly located in vila nova de gaia, a suburb of porto on the other side of the douro river.

the narrow houses

the narrow houses I

 

the narrow houses in porto have their origins in historical and economic factors that date back centuries. a key reason for their design was the property tax, which in the middle ages and early modern period was often levied based on the width of the building’s facade. to minimize these taxes, many homeowners opted to build narrow houses that took up little space on the street but often extended deep into the lot. this allowed them to reduce their tax burden without sacrificing living space.

 

the narrow houses II
the narrow houses III

 

in addition, the city’s topography played an important role. porto is built on hills and along the steep banks of the douro river, which further limited the available building space. the narrow, winding streets and alleys of the old town forced residents to build their homes vertically to make the most of the limited space.

 

the narrow houses IV

 

moreover, this architectural style maximized street access, which was crucial for urban commerce. many of these narrow houses had shops or workshops on the ground floor, while the upper floors were used as living quarters. this functional layout promoted urban life and brought work and living spaces closer together.

overall, the architecture of porto’s narrow houses is a combination of tax policies, geographical constraints, and economic factors that evolved over centuries and continues to define the city’s distinctive urban landscape.

 

the narrow houses V

 

port wine

port wine, a globally renowned and appreciated fortified wine, is closely tied to the city of porto and the surrounding region. the name “port wine” derives directly from porto, although the grapes used to make it are primarily grown in the douro valley, one of the world’s oldest wine regions. the unique location of the douro valley, with its steep slopes and specific microclimate, provides ideal conditions for viticulture. after the harvest, the grapes are processed into wine in the valley and then transported to porto or to vila nova de gaia, located across the douro river from porto.

 

port wine view

 

since the 17th century, the city of porto has played a key role in the export of port wine, especially to britain, which contributed significantly to the international spread of this wine. a crucial step in port wine production is the addition of brandy to stop the fermentation process early. this results in a higher sugar content, giving the wine its characteristic sweetness and higher alcohol content.

historically, port wine merchants stored their barrels in the cooler cellars of vila nova de gaia, where the wine could age. even today, many of the most famous port wine cellars are located there, offering guided tours and tastings.

 

port wine all the way

 

to be continued…

arrival in porto – the orange sun

all images shown here were taken analog with my canon ae I

here, i am starting the travel blog for my owhc journey. over the coming weeks, you’ll find regular entries here about the different stops along the way.

my journey began on 17/09/2024 in porto. on the way there, everything seemed just fine: bright sunshine and a beautiful view.

on my way to porto

 

when my sister, who was flying to lisbon at the same time, messaged me on whatsapp to ask if there were any fires nearby, i replied with, “i only see blue skies here :)”. little did i know what the next two days had in store for me. the closer i got to porto, the more dark clouds i could see gathering on the horizon.

 

dark horizon

 

soon, i was surrounded by thick smoke that didn’t clear by the time i arrived. the whole city was bathed in a diffuse, mystical orange light. it felt like sunset at every time of day. the smell of burnt wood lingered over porto, and ashes fell from the sky. google maps showed that the fires had reached the outskirts of the city. some areas had to be evacuated, and temporary road closures were in place. travelers were advised to check the current situation before arriving to prepare for any restrictions. authorities and emergency responders worked tirelessly to control the fires, and tourists were urged to exercise caution in forested areas and to follow official instructions.

 

smoke everywhere

 

on the first day, i let the city life carry me along – without any particular destination in mind. in the city, it was hard to tell that, just five kilometers away, others were fighting for their lives and livelihoods.

nice to see how the orange sun sneaked into every photo.

 

the orange sun I

 

the orange sun II

 

the orange sun III

 

to be continued…

 

Connecting Europe through architectural heritage

Taking Ohrid as a starting point for the architectural heritage connection throughout Europe, a small town located in southwest Macedonia with continuous settlement in the exact location ever since the Hellenic period. But for now, we’ll explore the architectural genetics from a more recent perspective so the connection with the rest of Europe is even more vivid.

“The Orient has always nurtured residential culture on a broad scale. Throughout the XVIII and XIX centuries, other nationalities within the Ottoman Empire achieved relatively high economic prosperity. From the high residential culture, the oriental house has the qualities of human standards and the ideal humanization of space. That is why European architects are inspired by the Orient in the exploration and creation of the modern European house (ex. Le Corbusier, D. Grabrijan …). We cannot claim that the influences from the Orient are over. However, climate differences are a major obstacle.

  The half-open oriental house with spaces directly exposed to a burst of drafts in open čardaks (verandas) and gardens cannot be directly transplanted to continental Europe. We have to look for the transition somewhere and this is where we get to the heart of our problem. And in the conditions of the Ottoman domination, the Macedonians never left the European way of living in the house of the continental climate. That way of revitalization, adapted to the oriental position, forms the Macedonian architecture. Regardless of the high level of hygiene and technique from the industrially developed European civilization, the Macedonian house still has a lot to say about the issues of contemporary architectonics of the living space.”

-prof. arch. engr. Boris Čipan “Old town architecture in Ohrid” 1955

-Stefan Župan (Archrid-Collective)

 

Český Krumlov, Czech Republic

During last three days we visited Český Krumlov – Czech’s second most popular tourist destination. The town was built around a castle in 13th century in Gothic style. Full of charming photo spots, it has a reputation of a city for a one-day visit and unfortunately is very overcrowded. That is why we decided to stay for two nights and discover how the city center looks like when all the tourists go back to their hotels. Continue reading “Český Krumlov, Czech Republic”

Vienna, Austria

After visiting Warsaw and Kraków, we moved to Austria and stayed for three days in Vienna. The capital of Austria surprised us with its modernity neighboring with historical world heritage monuments. Full of people wandering on the most famous touristic paths just behind the corner hides places and districts where locals enjoy their leisure time. Continue reading “Vienna, Austria”